The wizard of oz musical script pdf

Dorothy on Tuesday evenings and took over the role full-time in February 2012. Hope won and Evans was the runner-up. Toronto production began in December 2012 and closed in August 2013, and was followed by a North American tour. It then toured for the wizard of oz musical script pdf years.

Baum’s original novel than most previous versions. Frank Gabrielson from the novel, but it is influenced in some respects by the motion picture screenplay. It uses most of the songs from the film. Both the MUNY and RSC adaptations were successes and have been revived numerous times in the US and UK. 1939 film’s screenplay, and Rice and Lloyd Webber added several new songs to the film’s score. The film has one or two holes where in the theatre you need a song. For example, there’s nothing for either of the two witches to sing.

He also commented “Tim and I are doing quite a specific thing, because we know what’s missing. Dorothy on Tuesday evenings and when Hope was ill or on holiday. September 2011 by her understudy, Marianne Benedict. Hope and Crawford left the production on 5 February 2012. The Wizard, for 14 weeks. The Wizard from May 2012 until the production closed. Stephanie La Rochelle as 1st runner up.

The production concluded its run on 18 August 2013, having been seen by over 500,000 people. The Wicked Witch of the West. The unpleasant Miss Gulch threatens to call the sheriff after Toto bites her leg. Dorothy runs home for shelter. Inside the farmhouse, she bangs her head on the bedside.

The house is borne away by the storm. Landing in Oz, Dorothy’s house flattens the Wicked Witch of the East. Glinda, the Good Witch of the North, greets Dorothy and tells her where she is. This enrages the witch’s sister, the Wicked Witch of the West. He too joins the group on the road to the Emerald City.

Emerging into the light, the friends encounter another obstacle. The Wicked Witch has cast a spell creating a huge field of poppies that puts Dorothy and the Lion to sleep. Arriving at the Emerald City, Dorothy and company persuade the gatekeeper to admit them. The Wicked Witch flies down into the City with more threats, still angry that she doesn’t have the ruby slippers. The four friends and Toto go into the Wizard’s chamber. The great Oz appears as a frightening, disembodied head and says he will grant the group their wishes if they do something for him first. He demands: “Bring Me the Broomstick” of the Wicked Witch of the West.

They find the Witch and Dorothy. When the Witch tries to attack the Scarecrow, a Winkie hands Dorothy a bucket of water, which she throws over the Witch, melting her. Dorothy and her friends return with the broomstick to see the Wizard. Still, he gives the Scarecrow, Tin Man and Lion tokens of the brains, heart and courage that they already had inside of them.

After saying goodbye to her friends, Dorothy clicks her heels together three times, chanting “There’s No Place Like Home”. Back in Kansas, Aunt Em and Uncle Henry tell Dorothy that she hit her head and had been unconscious for days. Dorothy insists her adventure in Oz was real, not a dream, but she is very grateful to be home. As Aunt Em and Uncle Henry leave her alone in her bedroom to rest, a gust of wind blows open her cupboard door, revealing the ruby slippers.

CD and digital download on 9 May 2011. Opening night reviews were mixed but generally praised the designs, the special effects and several cast members, especially Waddingham. Jeremy Sams’s production pulls out all the stops, with ingenious designs by Robert Jones that skilfully conjure up both the sepia world of Kansas and the lurid colours of Oz. Hope “offers a thoroughly competent rather than an inspired performance” that “lacks the heart-catching vulnerability of the young Judy Garland”. Oz to the skeletally twisted Gothic palace of the Wicked Witch and her totalitarian, helmeted guards.

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